My work exists at the intersection of clay, psychology, and the subconscious. I build slowly using the coil technique or throw on the pottery wheel in a flow-state, allowing each form to grow intuitively rather than through predetermined design. The shapes that emerge often resemble natural architectures such as corals, sediments, fungi, folds, and blooming structures, but they also mirror inner movements: expansion, contraction, entry, release. I’m drawn to thresholds: the moment where something soft becomes solid, where the subconscious rises into awareness, where chaos organizes itself into unexpected beauty. Clay is the perfect medium for this exploration. It remembers touch. It responds with its own intelligence. It collapses and reforms. It reveals layers emotional, geological, human. My sculptures are portals to my inner world. They are invitations to slow down, to feel, to enter inner landscapes we often move too quickly to notice.